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| Robert Hamblin ： ウィキペディア英語版 |
Robert Hamblin (born 6 April 1969) is a South African photographer. He works and lives in Cape Town. Hamblin started as a freelance commercial photographer, specialising in television and the performing arts. The arts influenced him strongly and he became a fine art photographer. The early themes of his work were primarily sourced from the arts. Hamblin's later work is preoccupied with gender and identity and is the focus of much of his current work.== Conceptual themes==The Occupy movement and Big Money - ''The Colony (Phase I Under Construct)'' (2013) and ''The Colony (Phase II – Occupy)'' (2014). In these exhibitions the ebb and flow of gold and other stocks are reflected. "In a tenacious daily ritual of pondering capitalism's power structures over a period of 260 days, the number of working days in the Western monetary system, he found not only the brilliance of precious metals, minerals and stones reflected in the tides, but also a fluid vehicle to voice his interest in the Occupy Wall Street movement," reads a University of Johannesburg review.http://www.artlink.co.za/news_article.htm?contentID=36570 The rich-businessman/poor-labourer Occupy perspective is foregrounded by Renée Bonorchis, Financial Journalist, Bloomberg News, Johannesburg, "The men in suits, waist deep in gold in Hamblin's photographs. At the same time, South African miners who risk their lives underground have been asking for a higher wage." Catalogue of ''The Colony (Phase II – Occupy)'', (October 2014, page 22)Masculinity - ''Millennium Man'' (1998), ''The Post Christian'' (2000), ''The Binary Farm'' (2006), and ''Gender'' (2004). "Hamblin has, what he terms, a "compassionate" understanding of male violence; how a man's potential for violence causes self-loathing, and how it often underpins a man's very existence," as described by Ang Lloyd.http://jozirediscovered.com/2014/08/11/escaping-gender-glimpsing-the-soul/ A catalogue for the Erdmann Gallery says Hamblin explores the idea of a masculine ideal, the contrast between flight and fall where masculinity is in flux, weighed down by the gravity of the past.http://media.withtank.com/c21953cda9/dreams_to_reality_press_release_compressed.pdfTransgender sexworkers - ''...When You Feeling Like a Lady'' (2013). The sexworker-performers are anatomically male, but work as women (Afrikaans article). "Movement and performance is a big part of the existence of these sexworkers," says Hamblin. http://www.netwerk24.com/nuus/2013-04-01-identiteit-vervaag-in-fotos?redirect_from=dieburger The performers asked Hamblin to express their "awareness of their masculine bodies AND their feminine identity".http://www.netwerk24.com/vermaak/2013-04-03-fotograaf-wys-transgender-reeks?redirect_from=dieburger
Robert Hamblin (born 6 April 1969) is a South African photographer. He works and lives in Cape Town. Hamblin started as a freelance commercial photographer, specialising in television and the performing arts. The arts influenced him strongly and he became a fine art photographer. The early themes of his work were primarily sourced from the arts. Hamblin's later work is preoccupied with gender and identity and is the focus of much of his current work.
== Conceptual themes==
The Occupy movement and Big Money - ''The Colony (Phase I Under Construct)'' (2013) and ''The Colony (Phase II – Occupy)'' (2014). In these exhibitions the ebb and flow of gold and other stocks are reflected. "In a tenacious daily ritual of pondering capitalism's power structures over a period of 260 days, the number of working days in the Western monetary system, he found not only the brilliance of precious metals, minerals and stones reflected in the tides, but also a fluid vehicle to voice his interest in the Occupy Wall Street movement," reads a University of Johannesburg review.〔http://www.artlink.co.za/news_article.htm?contentID=36570〕 The rich-businessman/poor-labourer Occupy perspective is foregrounded by Renée Bonorchis, Financial Journalist, Bloomberg News, Johannesburg, "The men in suits, waist deep in gold in Hamblin's photographs. At the same time, South African miners who risk their lives underground have been asking for a higher wage."〔 Catalogue of ''The Colony (Phase II – Occupy)'', (October 2014, page 22)〕
Masculinity - ''Millennium Man'' (1998), ''The Post Christian'' (2000), ''The Binary Farm'' (2006), and ''Gender'' (2004). "Hamblin has, what he terms, a "compassionate" understanding of male violence; how a man's potential for violence causes self-loathing, and how it often underpins a man's very existence," as described by Ang Lloyd.〔http://jozirediscovered.com/2014/08/11/escaping-gender-glimpsing-the-soul/〕 A catalogue for the Erdmann Gallery says Hamblin explores the idea of a masculine ideal, the contrast between flight and fall where masculinity is in flux, weighed down by the gravity of the past.〔http://media.withtank.com/c21953cda9/dreams_to_reality_press_release_compressed.pdf〕
Transgender sexworkers - ''...When You Feeling Like a Lady'' (2013). The sexworker-performers are anatomically male, but work as women (Afrikaans article). "Movement and performance is a big part of the existence of these sexworkers," says Hamblin. 〔http://www.netwerk24.com/nuus/2013-04-01-identiteit-vervaag-in-fotos?redirect_from=dieburger〕 The performers asked Hamblin to express their "awareness of their masculine bodies AND their feminine identity".〔http://www.netwerk24.com/vermaak/2013-04-03-fotograaf-wys-transgender-reeks?redirect_from=dieburger〕
抄文引用元・出典: フリー百科事典『 Masculinity - ''Millennium Man'' (1998), ''The Post Christian'' (2000), ''The Binary Farm'' (2006), and ''Gender'' (2004). "Hamblin has, what he terms, a "compassionate" understanding of male violence; how a man's potential for violence causes self-loathing, and how it often underpins a man's very existence," as described by Ang Lloyd.http://jozirediscovered.com/2014/08/11/escaping-gender-glimpsing-the-soul/ A catalogue for the Erdmann Gallery says Hamblin explores the idea of a masculine ideal, the contrast between flight and fall where masculinity is in flux, weighed down by the gravity of the past.http://media.withtank.com/c21953cda9/dreams_to_reality_press_release_compressed.pdfTransgender sexworkers - ''...When You Feeling Like a Lady'' (2013). The sexworker-performers are anatomically male, but work as women (Afrikaans article). "Movement and performance is a big part of the existence of these sexworkers," says Hamblin. http://www.netwerk24.com/nuus/2013-04-01-identiteit-vervaag-in-fotos?redirect_from=dieburger The performers asked Hamblin to express their "awareness of their masculine bodies AND their feminine identity".http://www.netwerk24.com/vermaak/2013-04-03-fotograaf-wys-transgender-reeks?redirect_from=dieburger">ウィキペディア（Wikipedia）』
■Masculinity - ''Millennium Man'' (1998), ''The Post Christian'' (2000), ''The Binary Farm'' (2006), and ''Gender'' (2004). "Hamblin has, what he terms, a "compassionate" understanding of male violence; how a man's potential for violence causes self-loathing, and how it often underpins a man's very existence," as described by Ang Lloyd.http://jozirediscovered.com/2014/08/11/escaping-gender-glimpsing-the-soul/ A catalogue for the Erdmann Gallery says Hamblin explores the idea of a masculine ideal, the contrast between flight and fall where masculinity is in flux, weighed down by the gravity of the past.http://media.withtank.com/c21953cda9/dreams_to_reality_press_release_compressed.pdfTransgender sexworkers - ''...When You Feeling Like a Lady'' (2013). The sexworker-performers are anatomically male, but work as women (Afrikaans article). "Movement and performance is a big part of the existence of these sexworkers," says Hamblin. http://www.netwerk24.com/nuus/2013-04-01-identiteit-vervaag-in-fotos?redirect_from=dieburger The performers asked Hamblin to express their "awareness of their masculine bodies AND their feminine identity".http://www.netwerk24.com/vermaak/2013-04-03-fotograaf-wys-transgender-reeks?redirect_from=dieburger">ウィキペディアで「Robert Hamblin (born 6 April 1969) is a South African photographer. He works and lives in Cape Town. Hamblin started as a freelance commercial photographer, specialising in television and the performing arts. The arts influenced him strongly and he became a fine art photographer. The early themes of his work were primarily sourced from the arts. Hamblin's later work is preoccupied with gender and identity and is the focus of much of his current work.== Conceptual themes==The Occupy movement and Big Money - ''The Colony (Phase I Under Construct)'' (2013) and ''The Colony (Phase II – Occupy)'' (2014). In these exhibitions the ebb and flow of gold and other stocks are reflected. "In a tenacious daily ritual of pondering capitalism's power structures over a period of 260 days, the number of working days in the Western monetary system, he found not only the brilliance of precious metals, minerals and stones reflected in the tides, but also a fluid vehicle to voice his interest in the Occupy Wall Street movement," reads a University of Johannesburg review.http://www.artlink.co.za/news_article.htm?contentID=36570 The rich-businessman/poor-labourer Occupy perspective is foregrounded by Renée Bonorchis, Financial Journalist, Bloomberg News, Johannesburg, "The men in suits, waist deep in gold in Hamblin's photographs. At the same time, South African miners who risk their lives underground have been asking for a higher wage." Catalogue of ''The Colony (Phase II – Occupy)'', (October 2014, page 22)Masculinity - ''Millennium Man'' (1998), ''The Post Christian'' (2000), ''The Binary Farm'' (2006), and ''Gender'' (2004). "Hamblin has, what he terms, a "compassionate" understanding of male violence; how a man's potential for violence causes self-loathing, and how it often underpins a man's very existence," as described by Ang Lloyd.http://jozirediscovered.com/2014/08/11/escaping-gender-glimpsing-the-soul/ A catalogue for the Erdmann Gallery says Hamblin explores the idea of a masculine ideal, the contrast between flight and fall where masculinity is in flux, weighed down by the gravity of the past.http://media.withtank.com/c21953cda9/dreams_to_reality_press_release_compressed.pdfTransgender sexworkers - ''...When You Feeling Like a Lady'' (2013). The sexworker-performers are anatomically male, but work as women (Afrikaans article). "Movement and performance is a big part of the existence of these sexworkers," says Hamblin. http://www.netwerk24.com/nuus/2013-04-01-identiteit-vervaag-in-fotos?redirect_from=dieburger The performers asked Hamblin to express their "awareness of their masculine bodies AND their feminine identity".http://www.netwerk24.com/vermaak/2013-04-03-fotograaf-wys-transgender-reeks?redirect_from=dieburger」の詳細全文を読む
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